| ianmcdonald ( @ 2008-02-08 11:00:00 |
We know Major Tom's a junkie
Premature thoughts on last night series opener for Ashes to Ashes. Well, the title doesn't work for a start. Sounds like 'Angela's Ashes' style miserabilism. Now of course there will be tricks up the sleeve, but on first glance it seemed all a bit more of the same thing. I'm not sure Woman/Eighties/London as opposed to Man/Seventies/Manchester is enough to make feel fresh a format that was getting a little tired by the middle of series two of Life on Mars. It all seemed ....rushed out? Philip Glenister of course has the best role in years and is a key part in what I suspect is the Mid-Noughties cultural shift away from Gay'n'Girlie to Wild Boys (see also the unfeasable success of Russell Brand) but DCI Gene Hunt seemed a man out of time even in 1981.
Of course the exemplar is Bodie and Doyle bollocks in The Professionals but the touches of drop-frame semi-slo-mo as DCI Gene Hunt walked out of his office and the hilarious speedboat sene was just pure Miami Vce. But did the camera love him a little too much.
However, the set pieces were a lot of fun, the joke that Gene Hunt had only his name and a game of Pong on the computer was nice. The 'Fire up the Quattro' line is making me chuckle even now.
But the Pierrot?
Premature thoughts on last night series opener for Ashes to Ashes. Well, the title doesn't work for a start. Sounds like 'Angela's Ashes' style miserabilism. Now of course there will be tricks up the sleeve, but on first glance it seemed all a bit more of the same thing. I'm not sure Woman/Eighties/London as opposed to Man/Seventies/Manchester is enough to make feel fresh a format that was getting a little tired by the middle of series two of Life on Mars. It all seemed ....rushed out? Philip Glenister of course has the best role in years and is a key part in what I suspect is the Mid-Noughties cultural shift away from Gay'n'Girlie to Wild Boys (see also the unfeasable success of Russell Brand) but DCI Gene Hunt seemed a man out of time even in 1981.
Of course the exemplar is Bodie and Doyle bollocks in The Professionals but the touches of drop-frame semi-slo-mo as DCI Gene Hunt walked out of his office and the hilarious speedboat sene was just pure Miami Vce. But did the camera love him a little too much.
However, the set pieces were a lot of fun, the joke that Gene Hunt had only his name and a game of Pong on the computer was nice. The 'Fire up the Quattro' line is making me chuckle even now.
But the Pierrot?